As my reading preferences have veered into the rugged terrain of Western adventures, I've found myself on an unexpected path. Out of the blue, I've been inundated with review requests from Western authors. This influx led me to the audiobook of Subtraction, a novella by Stephenson Crossley and Peter Gibson. It's funny to think about it, really; the person who once declared their dislike toward audiobooks (yes, that's me) has somehow embraced them this year.

A little background on the creative minds behind this novella: Peter Gibson and Stephenson Crossley have over fifty years of experience in film and television. Peter, a seasoned producer, has worked on everything from award-winning ad campaigns for Mercedes to Broadway productions like The Ten Commandments. He's been mentored by the great Joseph Papp and has an impressive array of films to his name, including Kill Your Darlings and Free. 

On the other hand, Stephenson Crossley is an award-winning location manager with projects that span from the critically acclaimed Nocturnal Animals to the long-running comedy series It's Always Sunny in Philadelphia. With a lineage linked to Broadway royalty, his great-grandfather was the illustrious Florenz Ziegfeld, and his great-grandmother, Billie Burke, enchanted as Glinda the Good Witch in 1939's The Wizard of Oz.

Running at a brisk 2 hours and 27 minutes, the audiobook is narrated by the wonderfully talented Natalie Naudus, whose smooth voice captures the gravity of the protagonist, Clara Kane, with exquisite precision. This novella isn’t your typical Western; rather, it unfolds against the stark backdrop of the alkali flats of the 1869 Colorado Territory. The story centers on Clara, a half-Chinese young woman driven by a singular obsession: revenge. With her parents insidiously burned alive before her eyes and her brother left for dead, she harnesses her prodigious math skills to turn grief into a cold, calculated means of vengeance.

From the very outset, Clara feels more like a calculating machine than a mere mortal. She's a mathematics genius, her mind racing with equations and trajectories as she plots her revenge against the seventeen men who shattered her world. Every bullet drop, wind shift, and heartbeat between shots becomes part of her mathematical arsenal. While this obsession might suggest a character on the autism spectrum, her social awkwardness and cold demeanor give off a Sheldon Cooper-esque vibe; it's a nuance that adds rich depth. The childhood trauma undoubtedly plays a role in her emotional landscape, but her fascination with numbers seems to have a life of its own, an echo of her brilliance that existed long before the tragedy struck.

As Clara navigates the desert city of New Rome, a harsh fortress ruled by the villainous General Titus Creed, I couldn't help but relish the intricacies of her revenge plot. The bad guys here serve their purpose: cannon fodder for Clara's quest for vengeance. And while revenge stories might swim in a sea of clichés, Subtraction reinvigorates the trope with a fresh and thrilling approach that’s hard to resist.

The production quality of the audiobook is exceptional, rivalling some of the big-name publishers, if not surpassing them. Naudus's narration pulls the listener into Clara's world, making time swiftly disappear as the plot unfolds. The brevity of the novella adds to its charm; it’s a quick ride, yet it leaves a lasting impression.

In the end, Subtraction offers an engaging escape from the mundane worries of life, a revenge tale that’s both familiar and refreshingly original. Whether you're a die-hard fan of Westerns or just someone in search of a unique story, I recommend giving it a listen. ╌★★★★★

Please consider supporting future reviews on this blog by purchasing Subtraction as an audiobook ^[*], paperback ^[*], or a Kindle eBook ^[*].

〜B.J. Burgess

I used to be an avid reader of James Patterson thrillers. But let’s face it: we all know he doesn’t actually write most of those co-authored books. He creates an outline, hands it off to a chosen author, and voilà, a new title pops up on the shelf. Last year, I finally decided to break the cycle of mindless buying; after all, those hefty tomes were gathering dust on a forgotten closet shelf. Over the years, Patterson’s plots have descended into a tangle of clichés and predictability, and my interest has evaporated. I was buying his books out of sheer habit—a bad one at that.

So, this year, I took the plunge and purged nearly my entire Patterson collection, keeping only a select few titles that I actually enjoyed or planned to read someday. But here I am, reviewing The Country Road Murders. Why, you ask? Well, I received an audiobook from NetGalley, courtesy of Little, Brown & Company, so I wasn’t forking over my cash this time. Honestly, I can’t quite pinpoint why I chose to listen to this particular audiobook. The co-author, Mike Lupica, doesn’t exactly inspire my confidence; in my opinion, he is a horrible writer. Perhaps all I wanted was background noise to fill the void. Whatever my reasoning, it took me forever to wade through this nearly 11-hour slog.

Today, I’m venturing into the Ambush Valley, the 17th installment of The Last Gunfighter series, which was kicked off in 2000 by the late William W. Johnstone (1938-2004). The last solo effort in the series from Johnstone was Renegades in 2005. After that, Fred Austin stepped in for Savage Country in 2006, paving the way for J.A. Johnstone, William's niece, to join the fray, starting with the fourteenth book, The Devil's Legion. However, I am unsure about his niece's involvement in the actual writing of the books. A "Publisher's Note" appeared in later installments, detailing how the Johnstone family selected authors to complete unfinished outlines and craft new tales, breathing fresh life into the series.

At the center of The Last Gunfighter saga is Frank "The Drifter" Morgan, a legendary figure renowned and feared across the Wild West. After six tumultuous months, Frank has taken a rare breather, settling into the role of town Marshal in Buckskin. It’s not his first experience donning a badge, but this stint promises to be the longest by far.

Frank’s son, Conrad Browning, is now a man unto himself, married to the spirited Rebel Callahan. Following the death of Conrad's mother, the pair inherited the Browning empire, which includes banks. However, Frank has little interest in the family's business affairs. He prefers to leave those matters in the hands of lawyers to ensure fairness prevails. Yet, the peace is shattered when a gang led by Cicero McCoy pulls a daring heist, making off with eighty thousand dollars from one of the banks. McCoy, in a sinister twist, hides the loot in Ambush Valley before turning on his own men, leaving a trail of bodies behind. Captured by bounty hunters, he’s sentenced to a long, bleak twenty-five years in Yuma Territorial Prison.

Call it nostalgia or sentimentality, but I’ve been craving a trip down memory lane to revisit the original tie-in adult novels of The X-Files from the late 1990s, a hallmark of my teenage years. Despite the show's meteoric rise during its original run, only six novels were published from 1994 to 1999 (seven if you include the novelization of the feature film Fight the Future). It's worth noting I’m not counting the middle-grade or YA titles. I first picked up the first book, Goblins, during my Junior High days, and even then, I couldn’t help but notice the dissonance in tone. If you can overlook the copious f-bombs that were never uttered in the series, the writing style feels surprisingly juvenile. Perhaps back then, I was just a young reader grappling with stories meant for adults.

Written by the late horror maestro Charles L. Grant, Goblins is his first of two contributions to The X-Files, the other being Whirlwind. Admittedly, it’s not a literary masterpiece; at best, it reads as an average thriller. I felt that way in 1994, and here I am in 2026, revisiting the same worn paperback while listening to the 2015 audiobook from Blackstone Audio. Why indulge in this modest narrative again? Nostalgia is my only answer.

At its core, Goblins is a traditional monster-of-the-week tale. Considering the television series premiered in September 1993 and the book was released in January 1994, I imagine Grant didn’t have much material to work from. It’s as if he were navigating a murky landscape in which the characters of Mulder and Scully hadn’t yet crystallized into their iconic selves. Mulder occasionally rings true, but moments later, he morphs into caricature traits that feel entirely out of character. And Scully? The version presented here is a shadow of her television counterpart, an enigma wrapped in inconsistencies. It seems the characters, much like the series itself, were still in development, which is likely why Goblins feels so disjointed. For the record, this isn't fanfiction. Grant was contracted by HarperPrism, lending his voice to what is an official tie-in. Whether readers choose to accept it as canon is debatable, but it certainly doesn’t fit the mold of fan-created content.

Today, I’m reviewing the audiobook The Widowmaker: Invitation to a Hanging ^[*], penned by the late Robert J. Randisi, who authored The Gunsmith series under the pseudonym J.R. Roberts. Invitation to a Hanging marks the inaugural entry in The Widowmaker series, first published by Pocket Star Books in December 2003. I do own the second installment, Turnback Creek, which followed in 2004, in paperback. A third volume, Dead Weight, teased within the pages of the second book, remains shrouded in mystery—never to see the light of day, likely due to the tepid sales of its predecessors. Was Dead Weight merely a concept, or was it fully drafted? The truth eludes me.

The audiobook adaptation, released in 2005 on CD and later available on Audible by Recorded Books, is brought to life by the late Richard Ferrone, with a runtime of 6 hours and 16 minutes.

The narrative unfurls around John Locke, a man molded by the trials of his past as a lawman, bounty hunter, and gun-for-hire. Now, he's attempting to carve out an existence by taking on perilous odd jobs that only someone of his notorious reputation could manage. His newest journey leads him to Fredericksburg, Texas, where he assumes the role of bastonero, essentially the Master of Ceremonies, for the hanging of the infamous Ignacio Delgado, a man painted in shades of both villainy and martyrdom. In the beginning, Locke finds himself fending off Delgado’s loyalists, who view their leader as part saint, part Robin Hood. Yet, as tension mounts, Locke's perspective shifts; respect for Delgado begins to seep into his philosophies, even as he unravels the sheriff’s ulterior motives behind the hanging—a classic standoff brewing like storm clouds on the horizon.

Welcome back, fellow lovers of the Wild West. Today, I want to delve into Cabin Gulch ^[*] by Zane Grey, a mesmerizing nearly five-hour audiobook ^[*] from GraphicAudio. Originally penned in 1915, this tale likely graced the pages of a Pulp magazine in serialized format—though I must admit, I couldn't track down the specifics of its initial publication. If anyone has that information, please share it in the comments. It was subsequently retitled The Border Legion and published in book form in 1916 by Harper & Row. Remarkably, the story has been adapted into film five times, the most-famous being The Last Round-Up in 1934, starring Randolph Scott.

As with many Westerns that started their lives in magazines, Cabin Gulch underwent various changes in its transformation to The Border Legion. Thankfully, GraphicAudio chose to adapt the original 1915 text, giving us an uncensored version of Grey's gripping story.

At the heart of Cabin Gulch ^[*] is Joan Randle, a young woman driven by anger who sends Jim Cleve into the lawless mining frontier of Idaho Territory to test his courage. But when she regrets their quarrel, she sets off to bring him back, only to fall prey to the infamous bandit Jack Kells.

Kells is a character drenched in menace, willing to kill—not hesitating even against his own men—to possess Joan. The plot thickens with a burgeoning gold strike at Alder Creek, enticing Kells and his gang to descend upon the miners with malicious intent. The intensifying emotional landscape for Joan is the crushing realization that Jim has allied himself with Kells's nefarious crew. Grey weaves a powerful tapestry of tragedy, romance, historical detail, and flickers of hope that resonate even today.

To tie in with the upcoming Paramount+ premiere of the second season of Star Trek: Picard, Simon & Schuster Audio published the original audio drama, Star Trek: Picard: No Man's Land, written by Kristen Beyer & Mike Johnson. The 99-minute audiobook features the voices of Michelle Hurd (Raffi), Jerri Ryan (Seven of Nine), Jack Cutmore-Scott, John Kassir, Fred Tatasciore, Chris Andrew Ciulla, Lisa Flanagan, Gibson Frazier, Lameece Issaq, Natalie Naudus, Xe Sands, and Emily Woo Zeller.

AMAZON

Final Thoughts

• Cognitive Principles of Behavior
• What is a Habit Loop?
• Replacing Habits in a Habit Loop
• The power of delayed gratification.
• Understanding the Psychology of Procrastination
• Utilizing Habit Pyramids with Examples
• Areas to Apply Self Discipline