What’s your favorite bookish scent, and why does it appeal to you?╍Submitted by Billy, Coffee-Addicted Writer.
I have two favorite bookish scents. First, there's the aroma that fills the air the moment you step into a bookstore—the delightful mix of fresh books all around you. If the bookstore also has a coffee shop, you can enjoy the sweet and comforting scent of freshly brewed coffee.
Hello, fellow Friday 56ers!
This week, I'm featuring You with the Sad Eyes: A Memoir by Christina Applegate. I tried my best to obtain a review copy but was unsuccessful. I briefly considered ordering a copy, but luckily, I found it at a Walmart in a neighboring county that actually stocks its bookshelves. Note: I live in a small town with no actual bookstores, but there's a Walmart that has unfortunately downsized its already limited book section by half and then failed to restock it.
Here’s a mystery to unravel: although I have a profound aversion to medical dramas across all forms of media, be it films, television, streaming, or books, I've harbored a surprising affection for Robin Cook's fictitious medical thrillers since childhood. It’s curious, isn’t it? Perhaps the haunting covers from the '80s and '90s, which were a staple of my formative years, drew me into his world. Or maybe it's simply Cook's talent as a writer that keeps me coming back for more. As I prepared to pen this review, I discovered he's turning eighty-five this year, a fact that astonished me. Many literary giants, such as Stephen King, R.L. Stine, and Dean Koontz, are gracefully aging, and with each read, I find myself appreciating their works even more deeply.
Now, on to the main event—my review of Robin Cook's latest thriller, Spasm [*], which hit the shelves courtesy of G.P. Putnam's Sons in December 2025. This thrilling tale marks the fifteenth installment in the Jack Stapleton & Laurie Montgomery series, which began its intriguing journey with Blindsight [*] in 1992.
The narrative of Spasm [*] unfolds with as Laurie Montgomery stepping steps back from her role as Chief Medical Examiner, leading allowing her and Jack to enjoy a rare moment of freedom for a couple of weeks. They receive a distressing call from Jack's old medical school pal, Robert Neilson, the lone family physician in Essex Falls, a picturesque town nestled in New York State’s serene Adirondack Mountains. While also serving as the coroner for Hamilton County, Dr. Neilson finds himself in the deep end, grappling with the inexplicable death of a young, vibrant pest control worker and an alarming surge of Alzheimer's-like cases. He reaches out, pleading for Jack and Laurie’s expertise, and unable to resist both a tantalizing mystery and a much-needed getaway, they agree to help and head upstate.
Writing introductions has always felt like navigating a maze blindfolded, especially when it comes to reviews. You always hear that the first few words should grip the reader, but what can you do when you’re faced with a blank page and a foggy mind? So, let’s jump straight in: Today, I’m discussing the mystery thriller The Garbage Man [*], penned by Tessa Pacelli and published by Zero Day Books. I snagged a digital copy on NetGalley last year and have taken my sweet time organizing my thoughts. Life has a way of throwing distractions my way: changes in reading routines, unexpected obligations—you name it. Now, let's unwrap this book.
The story begins with Kayla Mousavi, fresh out of Harvard Business School and stepping into what she believes is her dream job at General Recycling, a tech company touted as the future of clean energy. Kayla is thrilled to work under the elusive CEO, Frederick Douglass Monahan, and is convinced that her role is pivotal in saving the planet. With GR’s revolutionary bacteria designed to eat trash, she’s not just chasing corporate success; she’s aiming to be one of the youngest stars in an eco-conscious world.
However, beneath the gleaming surface of innovation lies an ominous truth.
When Kayla stumbles upon discrepancies in the data and uncovers a horrifying secret lurking in the company’s labs, she quickly finds herself in peril. As she inches closer to the truth, the stakes skyrocket, and she becomes the target of a professional hit—a hit intended for her. What she once viewed as a benevolent company is now shrouded in a darker reality involving more than just financial deception.
In the realm of literary exploration, I found myself at a curious crossroads with The Women of Wild Hill [*]. What initially drew me in? Perhaps it was the vibrant cover, reminiscent of an otherworldly spell. Or maybe it was the echoes of witchy horror whispering from my past. The author, Kirsten Miller, was a name I recognized but had never yet explored. So, despite it collecting dust on my shelf since October, a product of life’s unexpected detours—I finally opened its pages.
The novel unfolds against the backdrop of Wild Hill, a mystical slice of Long Island where nature's raw powers converge. Here, girls are gifted with extraordinary abilities—some so dark they wrestle with the fear of their own potential. Miller weaves a tale steeped in magic and familial legacy, beginning with the ghost of a witch wronged by the colonizers whose presence lingers over the land. Sadie Duncan, a young Scottish woman with unique gifts, was permitted to stay, and thus began a lineage of powerful women known as the Duncans. This lineage is one that has seen generations grapple with their gifts, but tragedy strikes, and the last of the Duncans, foreseen to be the mightiest, flees.
Welcome to "The Watering Hole," the revitalized version of my Sunday Post series that’s been gathering dust on this blog for far too long. Honestly, I needed a shake-up—it wasn’t so much about a complete overhaul as it was about breathing some new life into my regular musings. You can still expect an Editorial, a Reading Block, and Fresh Off the Press, although the latter will now feature any new ARCs that land in my eager hands, along with fresh book hauls and hidden treasures unearthed in the used book bins.
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| Sunday Post, what I call The Watering Hole, is hosted weekly by Caffeinated Reviewer. |
It's been a minute, folks. Procrastination has a sneaky way of wrapping its fingers around our motivation, and for weeks now, this post has hovered just out of reach—until today, when I found myself empty-handed and thought, “Why not?” It’s been a tough few days; I’ve been battling a wretched stomach bug that I must have picked up from a public place. I’ve spent more time snuggled under blankets than I care to admit, even with the outside thermostat hovering above 80 degrees. This morning, the only reason I forced myself to get dressed was for a quick errand run. On that outing, I treated myself to an ice latte at the newly opened Dunkin’ inside a Walmart that’s slowly becoming an embarrassment—half the book section has evaporated, and what remains is as poorly stocked. They’ve dedicated more shelf space to overpriced DVDs, a decision that eludes me entirely.
As the weekend rolls in, I find myself drawn into the vivid landscapes of the Wild West through the lens of Stephen Hunter's latest novel, The Gun Man Jackson Swagger [*]. For those unfamiliar, Hunter is a lauded figure in the literary realm, a Pulitzer Prize winner for Criticism and the former chief film critic of The Washington Post. Known for his non-fiction work, American Gunfighter, and an impressive collection of novels collectively known as the "Swaggerverse," he is a master storyteller. While I've long been aware of his work and origins from Missouri, I must admit that I hadn’t yet ventured into his fiction until I serendipitously stumbled upon his newest offering at the library.
Set against the sun-bleached backdrop of a drought-stricken 1890s Southwest, The Gun Man Jackson Swagger introduces us to Jack, an aging yet formidable gunman seeking employment at the thriving Callahan ranch. With a weathered exterior and the sharp instincts of a seasoned fighter, Jack presents his extraordinary skills with one of Winchester’s latest models to the skeptical foreman. Clearly, a sharpshooter is a valuable asset for both Colonel Callahan and head gunman Tom Voth.
However, Jack’s motives veil a deeper mystery. Upon discovering the mysterious death of a young cowboy on the ranch, his instincts compel him to investigate, unraveling a web of dark conspiracies tightly woven with the Callahan fortune. It’s a tale of survival and justice, where six-guns and quick draw reign supreme amidst the treachery of the Old West.
If you could write the sequel to a classic book, which one would it be? What new characters or plot twists would you bring in?╍Submitted by Billy, Coffee-Addicted Writer.
I would never want to write a sequel to any classic book for fear of ruining it. While I don't mind reading "authorized" sequels, prequels, or spinoffs, I would never attempt to continue someone else's characters or plots. Honestly, I would just anger the diehard fans of whatever classic or IP I chose to write about. That said, if a publisher offered me a substantial amount of money to ghostwrite under a deceased author's name, I might reconsider and go for it.
〜B.J. Burgess
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I've been contemplating my thoughts on The Housemaid, the 2025 Lionsgate film based on Freida McFadden's bestselling novel. For the record, I read the first two books but somehow neglected to share my thoughts on this blog. The film, directed by Paul Feig, known predominantly for comedies like the lackluster remake of Ghostbusters and the underrated Last Christmas, was an unexpected choice for an erotic thriller, but he surprisingly exceeded my expectations. The cast boasts Sydney Sweeney (who also serves as executive producer), Amanda Seyfried (with a rather obvious vanity executive producer credit), Brandon Sklenar (Drop, 1923), Michele Morrone (365 Days and its sequels), and Elizabeth Perkins (Big, Weeds). Against a modest $35 million budget, the film has grossed an impressive $396 million, emerging as a sleeper hit.
The plot unfurls like a carefully folded curtain: Millie (Sweeney), seeking to escape her troubled past, takes on a job as a live-in housemaid for the affluent Nina (Seyfried) and Andrew Winchester (Sklenar). However, what initially seems like a dream job soon descends into an intricate web of danger—a seductive game riddled with secrets, scandals, and power plays. The enigmatic closed doors of the Winchester household hide shocking twists that keep you guessing until the very last frame.
The Housemaid is now available for digital enjoyment [*] and on various physical formats, including 4K UHD (+Blu-ray + Digital) [*], Blu-ray (+Digital) [*], and DVD [*]. The digital special features offer a treasure trove for fans: From Page to Panic: Making of The Housemaid, Secrets of the Winchester House: A Housemaid Tour, A Peek Inside Featurette, deleted scenes, and Pushing It Over the Edge: Creating the Stunts (a Fandango Exclusive).
Now, I wouldn’t exactly classify Freida McFadden’s works as fine literature; they serve more as a guilty pleasure, a delightful escapism. Her books, including The Housemaid, are woven with unpredictable twists and multiple character perspectives, a narrative style I thought would be too complex to translate well onto the screen. Yet, I stand corrected, Paul Feig and screenwriter Rebecca Sonnenshine crafted a surprisingly astute adaptation that remains faithful to the novel's essence. Sydney Sweeney shines as the not-so-innocent twenty-something housemaid embroiled in a steamy affair with her married employer, played by Brandon Sklenar, whose performance is mesmerizingly intense, if not a touch deadly. Amanda Seyfried, too, delivers a hauntingly brilliant portrayal of Mrs. Winchester, teetering on the edge of sanity.
Honestly, modern films often leave me underwhelmed. I had planned to dismiss The Housemaid outright, convinced that, having read the book, I would emerge disappointed by the cinematic version. However, after stumbling upon a rather unexpected endorsement from an overly enthusiastic middle-aged Star Trek YouTuber, my curiosity was piqued. Reluctantly, I decided to give it a shot, and to my surprise, I found myself thoroughly captivated. The direction, performances, and music choices are spot on, but the screenplay is the real star here: a clever and faithful adaptation that keeps you guessing. It’s thrilling, imbued with moments of erotic tension, and even manages to creep you out. Despite knowing the outcome, I found myself on the edge of my seat, gripped by the unfolding drama.
I highly recommend The Housemaid. Stream it or purchase it. It’s worth every second. ╌★★★★★
〜B.J. Burgess
In theaters exclusively on March 17th and 18th, the Christian-themed documentary He Calls Me Daughter, directed by Rick Altizer, goes deep into the emotional labyrinth of father-daughter relationships. This powerful film sheds light on the "father wound"—a term that encapsulates the pain felt by women shaped by abandonment, absence, or emotional abuse. Through a collection of poignant stories from women of varied backgrounds, He Calls Me Daughter examines how fractured relationships with fathers ripple through lives, affecting identity, trust, and even faith.
You can learn more about the documentary at hecallsmedaughter.org. Additionally, a Six-Week Discovery Curriculum by Bill & Tracey Robinson is available for personal study or for women's small group Bible studies.
Ticket information can be found at the following link: www.fathomentertainment.com/releases/he-calls-me-daughter/.
What sets this documentary apart from typical faith-based films is its raw and unfiltered approach. Running at approximately 80 minutes, it steps back from preachy moralizing, allowing the women themselves to share their haunting experiences. Yes, it’s a narrative that could easily be branded as having "daddy issues," yet it's more profound than that. The film posits that a healthy relationship with a father or father figure is crucial for establishing a genuine connection with God in adulthood. Conversely, when that bond is broken, the consequences can plunge one into a vortex of trust issues and poor life choices. As the women recount their struggles, we learn that forgiveness and seeking divine guidance are essential to transcend past traumas and embark on a path toward healing and fulfillment.
Visually, He Calls Me Daughter is a well-crafted documentary that expertly balances the dark, often unspoken themes of trauma with hope and redemption. I entered the documentary thinking I might be an ill-suited reviewer—being a male without children—but I quickly realized that we all carry the weight of our own childhood traumas. Those shadows from the past can be relentless, the struggles challenging to escape. Yet, finding solace in faith, confiding in someone, and embracing a spiritual journey are often the first steps toward moving forward.
He Calls Me Daughter isn’t merely a film; it’s a call to action, an invitation to confront the often anguished relationships we navigate. Its authenticity resonates deeply, reminding viewers of the healing power of love—both divine and earthly. I wholeheartedly recommend this documentary to anyone seeking an unvarnished look at the complexities of familial love and the journey of recovery that follows. Don’t miss it. ╌★★★★★
〜B.J. Burgess
Reading habits often say more about a person than casual conversations ever reveal. The genres someone returns to, the authors they trust, and the themes they explore shape a quiet identity over time. This identity develops through repeated exposure to ideas, perspectives, and narratives that resonate on a personal level.
Many readers begin to notice patterns in their preferences. Some lean toward introspective literary fiction, while others gravitate toward fast-paced thrillers or expansive fantasy worlds. These choices reflect not just entertainment preferences, but also how individuals process the world around them.
Over time, this connection between reading and identity becomes more visible in everyday life. Readers carry their interests into conversations, routines, and even subtle personal choices. The influence extends beyond bookshelves and into how they present themselves in different environments.
Reading is often seen as a solitary activity, yet its impact rarely stays private. The ideas absorbed through books shape opinions, influence communication styles, and guide how people interact with others. This creates a natural shift from internal reflection to outward expression. Readers may not always speak directly about what they are reading, but the influence appears in their behavior. Their choice of language, references, and even humor often carries traces of the books they engage with regularly. This makes reading a quiet but consistent force in shaping identity.
Welcome back, fellow lovers of the Wild West. Today, I want to delve into Cabin Gulch [*] by Zane Grey, a mesmerizing nearly five-hour audiobook [*] from GraphicAudio. Originally penned in 1915, this tale likely graced the pages of a Pulp magazine in serialized format—though I must admit, I couldn't track down the specifics of its initial publication. If anyone has that information, please share it in the comments. It was subsequently retitled The Border Legion and published in book form in 1916 by Harper & Row. Remarkably, the story has been adapted into film five times, the most-famous being The Last Round-Up in 1934, starring Randolph Scott.
As with many Westerns that started their lives in magazines, Cabin Gulch underwent various changes in its transformation to The Border Legion. Thankfully, GraphicAudio chose to adapt the original 1915 text, giving us an uncensored version of Grey's gripping story.
At the heart of Cabin Gulch [*] is Joan Randle, a young woman driven by anger who sends Jim Cleve into the lawless mining frontier of Idaho Territory to test his courage. But when she regrets their quarrel, she sets off to bring him back, only to fall prey to the infamous bandit Jack Kells.
Kells is a character drenched in menace, willing to kill—not hesitating even against his own men—to possess Joan. The plot thickens with a burgeoning gold strike at Alder Creek, enticing Kells and his gang to descend upon the miners with malicious intent. The intensifying emotional landscape for Joan is the crushing realization that Jim has allied himself with Kells's nefarious crew. Grey weaves a powerful tapestry of tragedy, romance, historical detail, and flickers of hope that resonate even today.
Are there genres you read that you feel a little shy about?╍Submitted by Billy, Coffee-Addicted Writer.
I wouldn’t say there are any genres I shy away from reading. However, I might feel a bit embarrassed reading erotic literature, even though I don’t actually read that genre or have any desire to. (Though, do adult Westerns count?) Some genres simply don’t interest me for various reasons. It’s not a matter of shyness; they just don't appeal to me.
〜B.J. Burgess
To prepare for next week’s post, check out the upcoming prompts. If you'd like to submit a prompt, fill out this form. Join our Facebook group to connect with other book bloggers and get updates.
Please do not link to a random book review on your blog unless it includes the Book Blogger Hop prompt for the week along with your answer to it. Any blog link that doesn't follow this simple rule will be removed from the hop.
