This past Monday, A&E aired the series premiere of the re-imagined prequel of Psycho called Bates Motel. The title may sound familiar for some of you as there was a two-hour made-for-TV movie of the same name that served for a backdoor pilot for a purposed weekly anthology series, which was never picked up due to the movie’s low ratings. The failed version killed off Norman Bate (big mistake) and focused on a new character, Alex West (played by Burt Cort), who inherited Norman’s house and motel shortly after he was released from the asylum. Lorri Petti costarred as a teenage runaway, Willie, along with Moses Gunn as the handyman, Henry Watson. The plot has Alex reopening the motel, only to encounter strange happenings. I only saw the movie by accident several years ago on the former Sci-Fi Channel. The problem with the movie’s premise was it ignored the previously established continuity.
The first official sequel, Psycho II, came out twenty-two years after the original, but it completely ignored the plot from Robert Bloch’s novel sequel of the same name. Anthony Perkins returned as Norman Bates, who is being released from the asylum despite the protest from Lila Loomis (played once again by Vera Miles). Norman returns home to meet the manager (played Dennis Franz) of the Bates Motel, whom he later fires. After settling back into the house, Norman starts his job at a local dinner as part of his rehabilitation, where he meets the young Mary Samuels (played by Meg Tilly). Before long, Norman receives messages from someone claiming to be Mother along with a few strange occurrences that only he can see. Psycho II is definitely the superior sequel of the series, though it is obviously missing Albert Hitchcock’s magical touch.