Maven and I have been together for nearly 20 years, and much of her story has not been told. I have many folders of outtakes, random scenes, and character notes. But the time has come, now that I am looking at retirement in 4 or 5 years, to get this stuff organized and written.
I’m learning to outline. Outlining “ain’t no crystal stair” as Langston Hughes wrote, but I’ve got my rope, and my pitons, my hammer and just in case, a vial of fairy dust and a magic wand in my climbing boots. I'm facing a sheer cliff of unknown story, with only a promise of what lies beyond.
My pitons are those 3x5 cards I have hated since that disaster of my first research paper in eleventh grade—I think it was about Odgen Nash. But I have a secret weapon: Larry Brook’s story architecture (
http://www.storyfix.com). I can write down my random notes and thoughts on my cards and then organize them as I figure out the plot points and pinch points. I’ve tried spreadsheets (Randy Ingermanson’s Snowflake Method and Ywriter) and various other tools, but the paper cards lend themselves to being carried in my purse and then typed into Scrivener, and from there, turning into scenes.
What started out as the beginning of my debut novel will now likely be the beginning of book four, which has no working title as yet. Stuff happens after the end of Through the Veil, and I’m still working out when it happens and to whom. But forcing myself to make an outline for book two, working title That Darn Maven, has allowed me to get some parameters established and make some rules to corral if not herd these cat-like story bits. Another working title is After Midnight, where I’ll be exploring some of Fiona’s point of view instead of always following Maven.
